FISHER EMBROILED IN BROADWAY DISPUTE
CARRIE FISHER has become embroiled in a dispute with the producer of her = Broadway show - accusing the theatre mogul of owing her money and failing= to fulfil his contractual obligations.
The Star Wars actress recently ended her run on the New York stage in h= er one-woman show Wishful Drinking, which is based on her book of the sam= e name about her early struggles in Hollywood.
But Fisher has now become entangled in an ugly dispute with her produce= r, Jonathan Reinis, who she claims owes her $60,000 (=C2=A337,500) for he= r time in the show. She also alleges he failed to keep a promise to move = the production from the non-profit Studio 54 theatre, which is owned by t= he Roundabout Theater Company, to a "first-class Broadway house" at the e= nd of last year (09).
In an email to New York Post columnist Michael Riedel, Fisher writes, "= As you can imagine, Jonny seems to be a bit cranky, which I figure is why= he still hasn’t paid me the remaining money he owes me. For whatever rea= son, (he) was unable to get (the move) done. I don’t know why, since I wa= s told there was plenty of theatre availability. So, his rights reverted = back to me under our contract.
"Trust me, there are a lot of things in the contract I wasn’t thrilled = about. But I fulfilled my obligations, didn’t miss one show and made a lo= t of money for my producer - from which I’m assuming he ultimately plans = on making a donation to the Roundabout Theater Company. This isn’t the fi= rst time I’ve had to force Jonny to fulfil his obligations under our deal= .. I hope he’ll comply in this circumstance soon. This whole thing doesn’t= have to get ugly." Reinis’ attorney, Ronald Feiner, has responded to Fisher’s claims, cont= ending the Studio 54 theatre is a "first-class" Broadway house because sh= ows performed there are eligible for Tony awards.
Feiner also insists Fisher should be grateful to Reinis for the play’s = success and alleges the actress is the one who hampered the production, b= y failing to agree to a tour.
He adds, "(My client) should not be dismissed by Carrie Fisher in this = way. He took her show from nothing - it had no sets, no video, it had not= hing - and turned it into a hit.
"It is our belief that she owes us a substantial amount in lost profits= from what could be a lucrative tour. We have offers from Australia, Cana= da and theatres around the United States, but we are unable to close the = deal because she will not perform the show."
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